Let’s Get Lost in Classic Movies

Out of the Past (1947) Film Noir Review: Robert Mitchum, Jane Greer & Kirk Douglas

Hosts Janna and Debbie discuss the 1947 film noir Out of the Past, directed by Jacques Tourneur and starring Robert Mitchum, Kirk Douglas, and Jane Greer. They outline the premise: gambler Whit (Douglas) hires private eye Jeff (Mitchum) to find Kathy (Greer) after she shoots Whit and steals $40,000, leading to twists across locations including Mexico and San Francisco.
 
They talk about getting “lost” in key moments, Mitchum’s one-liners and screen presence with both Kathy and Ann (Rhonda Fleming), themes of the past resurfacing and karma, and a notable deaf/mute character included without driving the plot. They define film noir as shadowy, crime-filled B-style storytelling and recap the ending where Whit, Jeff, and Kathy die, including Jeff calling the police and the final exchange involving the deaf boy.
 
NOW TAKING FANMAIL, COMMENTS AND QUESTIONS: lglinclassicmovies@gmail.com
 
THINGS TO PONDER WITH YOUR POPCORN:
Learn more AND watch the movie
Follow LGL in Classic Movies Hosts Debbie and Janna on Instagram
LISTEN on YOUTUBE
Meet the Production Team - Dee Daniels Media
 
FIND A FAVORITE SPOT IN THIS EPISODE:
00:00 Welcome and Setup
00:25 Plot Basics
01:51 Getting Lost Moment
03:28 Mitchum Style and Chemistry
05:30 Themes and Story Arcs
07:37 Representation and Noir
09:33 Mexico Hunt Breakdown
11:56 Kathy Turns Deadly
12:54 Tax Returns and Framing
16:52 Ann and Small Town Life
18:43 Finale and Tragic Ending
23:46 Wrap Up and Martini Shot
28:42 Listener Feedback and Goodbye
 

Charade (1963) Review: Cary Grant & Audrey Hepburn in a Parisian Romantic Thriller

Welcome to Let's Get Lost in Classic Movies! Mother and daughter hosts, Debbie and Janna are back this week to discuss the 1963 film Charade, directed by Stanley Donen and starring Cary Grant and Audrey Hepburn, with music by Henry Mancini and lyrics by Johnny Mercer.
 
They describe it as a suspenseful, Hitchcock-like whodunit with constant humor, romance, and twists, set in Paris. The plot centers on Hepburn’s character discovering her husband has been murdered and being pursued by several shady men while Grant tries to help, complicated by his multiple identities and their 25-year age gap (handled by rewriting the pursuit).
 
They highlight memorable scenes (the opening body on a train, the funeral, chases, the nightclub bit, and a theater trap-door sequence), the $250,000 hidden in stamps, a surprise reveal involving the embassy man, and Hepburn’s standout outfits.
 
NOW TAKING FANMAIL, COMMENTS AND QUESTIONS: lglinclassicmovies@gmail.com
 
THINGS TO PONDER WITH YOUR POPCORN:
Learn more AND watch the movie
Follow LGL in Classic Movies Hosts Debbie and Janna on Instagram
LISTEN on YOUTUBE
Meet the Production Team - Dee Daniels Media
 
 
FIND A FAVORITE SPOT IN THIS EPISODE:
00:00 Welcome and Film Intro
00:53 What Charade Is About
02:22 Age Gap and Script Rewrite
03:09 Movie Clip Teaser
03:47 Post Watch Discussion Begins
04:10 Paris Setting and Atmosphere
05:57 Title Sequence and Humor
08:02 Kid Gags and Apartment Reveal
09:43 Funeral and Villain Fears
10:49 Cary Grant Charade Names
12:15 JFK Detail and History
13:44 Behind the Scenes Wine Story
14:58 Twists Stamps and Chases
16:15 Wardrobe Hats and Coats
17:36 Nightclub Scene and Romance
18:54 Finale Theater Trapdoor
19:59 Martini Shot Favorites
22:17 Wrap Up and Goodbye
 

Barefoot in the Park (1967) Review: Robert Redford & Jane Fonda’s Classic Neil Simon Comedy

Hosts Debbie and Janna of “Let’s Get Lost in Classic Movies” discuss the 1967 romantic comedy Barefoot in the Park, directed by Gene Saks and starring Robert Redford and Jane Fonda.
 
They highlight the film’s nonstop humor, fast, witty dialogue, and the leads’ strong on-screen chemistry, recalling the opening New York City scenes at The Plaza and the couple’s transition to a cramped, run-down walk-up apartment with no heat, little furniture, and a skylight hole.
 
They talk about key supporting characters - Cory’s mother Estelle and the eccentric neighbor Victor - plus standout comedic moments like the bath-in-the-sink joke, the Albanian restaurant sequence, and Paul’s gradual drunk acting. The conversation also touches on marriage themes of compromise, timing in arguments, and how differences can both attract and irritate partners.
 
NOW TAKING FANMAIL, COMMENTS AND QUESTIONS: lglinclassicmovies@gmail.com
 
THINGS TO PONDER WITH YOUR POPCORN:
Learn more AND watch the movie
Follow LGL in Classic Movies Hosts Debbie and Janna on Instagram
LISTEN on YOUTUBE
Meet the Production Team - Dee Daniels Media
 
FIND A FAVORITE SPOT IN THIS EPISODE:
00:00 Welcome and Hosts
00:24 Why This Comedy Works
01:44 Movie Clip Plaza Arrival
02:44 Back for Discussion
03:59 Chemistry and NYC Vibes
05:15 The Crummy First Apartment
07:17 Marriage Clash and Lessons
09:30 Meet Mom and Victor
12:38 Neil Simon and Fun Details
15:25 Favorite Scenes and Quotes
17:35 Relationship Advice Talk
19:24 Martini Shot Picks
21:05 Wrap Up and Subscribe
 

The Man Who Shot Liberty Valance (1962) Review: John Wayne, Jimmy Stewart, John Ford Western

Mother and Daughter hosts Debbie and Janna are back with Let's Get Lost in Classic Movies - this week to discuss John Ford’s 1962 Western The Man Who Shot Liberty Valance, starring John Wayne, Jimmy Stewart, Vera Miles, Lee Marvin, and framed as a flashback told to a newspaperman.
 
They recap how Eastern attorney Ransome Stoddard arrives in the lawless West, is brutalized by Liberty Valance, and faces a cowardly sheriff and a territory pushing toward statehood and law and order, opposed by cattlemen who employ Valance. They compare Wayne’s tough yet tender Tom Doniphon with Stewart’s underestimated but resilient Stoddard, note key scenes (the steak-floor confrontation, paint-can incident, beatings, the flowering cactus), praise supporting characters like Poppy and Mr. Peabody, and highlight the ending where Stoddard is honored as “the man who shot Liberty Valance” despite the secret truth.
 
NOW TAKING FANMAIL, COMMENTS AND QUESTIONS: lglinclassicmovies@gmail.com
 
THINGS TO PONDER WITH YOUR POPCORN:
Learn more AND watch the movie
Follow LGL in Classic Movies Hosts Debbie and Janna on Instagram
LISTEN on YOUTUBE
Meet the Production Team - Dee Daniels Media
 
FIND A FAVORITE SPOT IN THIS EPISODE:
00:00 Welcome to the Podcast
00:21 Movie Setup and Cast
00:47 Plot Primer and Flashback
02:25 Watch and Enjoy
02:53 Clip Arrest Liberty Valance
03:42 Post Movie Reactions
04:33 Wayne vs Stewart Dynamic
06:18 When We Got Lost
09:42 Steak Scene and Poppy
11:05 Town Characters and School
13:53 Statehood and Open Range
14:54 Hallie and Romance
18:01 Comedy and Daily Life
21:08 Cinematography and John Ford
23:10 Villains and Martini Shots
25:43 Ending Twist and Legacy
28:20 Final Thoughts and Goodbye
 

Gaslight (1944) Review: Ingrid Bergman, Psychological Manipulation, and the Origin of “Gaslighting”

Welcome to Let's Get Lost in Classic Movies. Janna and Debbie discuss the 1944 film Gaslight, starring Ingrid Bergman, Charles Boyer, Joseph Cotten, and 19-year-old Angela Lansbury in her first role, directed by George Cukor.
 
They introduce the premise of a young girl whose aunt is murdered and who later marries a man with a hidden motive tied to jewels and the house. In their discussion, they explain how the term “gaslighting” comes from the 1938 play by Patrick Hamilton and describe gaslighting as psychological manipulation that makes someone doubt their sanity, memory, or reasoning, citing examples from the film like missing objects, denied reality, isolation, and blame shifting.
 
They note the film’s heavy tone, makeup and cinematography choices, Angela Lansbury’s comedic relief, award nominations, Bergman’s Best Actress win, and share favorite “martini shot” moments from the ending and the confrontation scene.
 
THINGS TO PONDER WITH YOUR POPCORN:
Learn more AND watch the movie
Follow LGL in Classic Movies Hosts Debbie and Janna on Instagram
LISTEN on YOUTUBE
Meet the Production Team - Dee Daniels Media
 
FIND A FAVORITE SPOT IN THIS EPISODE:
00:00 Welcome and Film Pick
00:46 Spoiler Free Setup
02:42 Iconic Gaslight Clip
03:30 Post Movie Reactions
03:51 When We Got Lost
06:10 What Gaslighting Means
08:53 How Gregory Manipulates
13:52 Cast Awards and Highlights
16:44 Favorite Scenes Breakdown
21:19 Martini Shot Moments
24:41 Closing and Call to Action
 

Notorious (1946) Review: Hitchcock’s Romantic Spy Thriller with Cary Grant & Ingrid Bergman

Welcome to Let's Get Lost in Classic Movies with hosts Janna and Debbie (daughter and mother). This week they discuss Alfred Hitchcock’s 1946 film Notorious starring Cary Grant, Ingrid Bergman, and Claude Rains, highlighting Hitchcock’s suspenseful style, camera angles, humor, and his cameo at the champagne table.
 
They outline the premise: Bergman plays the daughter of a convicted Nazi spy recruited by U.S. agent Grant to infiltrate a Nazi circle in Rio by getting close to Rains’s character, leading to twists, romance, and danger.
 
In their post-watch discussion, they focus on the film’s shifting tone from witty to tense, the cellar/wine-bottle suspense, the romantic but toxic dynamic between the leads, and details like Rains’s height staging. They clarify plot points including recorded evidence, uranium ore in the wine bottles, FBI interest in the storyline, Emmett’s death, and Alicia being slowly poisoned, and share favorite “martini shot” moments and standout costumes/jewelry.
 
THINGS TO PONDER WITH YOUR POPCORN:
Learn more AND watch the movie
Follow LGL in Classic Movies Hosts Debbie and Janna on Instagram
Meet the Production Team - Dee Daniels Media
 
FIND A FAVORITE SPOT IN THIS EPISODE:
00:00 Welcome to Notorious
00:37 Hitchcock Style Primer
01:06 Plot Setup in Rio
02:12 Romance and Cameo Challenge
03:03 Movie Clip Interlude
03:47 First Impressions After Watching
05:57 Funny Early Scenes
07:11 Hitchcock Camera Tricks
08:54 Hitchcock Legacy and Patricia
11:16 Spotting Hitchcock Cameo
12:00 Thriller Turns and Cellar Tension
13:27 Toxic Romance Triangle
15:14 Behind the Scenes Heights
17:43 Clearing Up the Plot
21:19 Uranium and FBI Trivia
22:18 Jewelry and Costume Highlights
23:23 Escape Scene Frustrations
24:30 Martini Shot Favorites
26:57 Wrap Up and Subscribe
 

Storm Warning (1951) Review: Ginger Rogers, Doris Day, and a Town Controlled by the KKK

Hosts Janna and Debbie discuss the 1951 film Storm Warning, directed by Stewart Heisler and starring Ginger Rogers, Doris Day, Ronald Reagan, and Steve Cochran.
 
They summarize the premise: Rogers plays a woman visiting her sister (Day) who witnesses a murder connected to the Ku Klux Klan, setting off an intense, fast-moving story. They note the film’s dramatic roles for Rogers and Day, Reagan’s district attorney performance, and the theme that silence and inaction can be as harmful as committing the crime.
 
Their conversation highlights shocking scenes, including Rogers being whipped and an attempted rape, the portrayal of a whole town complicit in the Klan, and the bleak ending in which the sister is shot by her husband and he is then killed. They connect the film to real-life Klan presence in the late 1980s and 1990s South and share their “martini shot” standout moments.
 
THINGS TO PONDER WITH YOUR POPCORN:
Learn more about the movie
Follow LGL in Classic Movies Hosts Debbie and Janna on Instagram
Meet the Production Team - Dee Daniels Media
 
FIND A FAVORITE SPOT IN THIS EPISODE:
00:00 Welcome and Setup
00:13 Movie Premise Teaser
01:39 Post Movie Reactions
02:06 When We Got Hooked
04:27 KKK Context and History
06:11 Ending and Tough Scenes
06:58 What Would You Do
10:42 Performances and Casting
12:56 Themes and Town Complicity
17:20 Segregation and Personal Stories
20:31 Martini Shot Moments
24:02 Final Thoughts and Goodbye
 

Arsenic and Old Lace (1944) Review: Cary Grant, Capra Comedy, and a House Full of Bodies

Debbie and Janna, the adorable mother-daughter-movie-duo, discuss Frank Capra’s 1944 classic - Arsenic and Old Lace - starring Cary Grant and Priscilla Lane, describing it as a hilarious mix of Halloween creepiness, romance, and farce.
 
They outline the premise: Grant’s character discovers his two aunts have been poisoning lonely old men with wine and hiding bodies in the cellar, while his brother believes he’s Teddy Roosevelt and another brother, Jonathan, is a psychopath who resembles Boris Karloff and arrives with Dr. Einstein for more face work.
 
They share favorite moments including the phone-booth scene, police saluting “Teddy Roosevelt,” near-misses with the poisoned wine, and Grant’s physical comedy. They note the Boris Karloff Broadway connection, discuss Lane’s grounding presence, and highlight the ending reveal that makes marriage acceptable for Grant’s character.
 
THINGS TO PONDER WITH YOUR POPCORN:
Learn more about the movie
Follow LGL in Classic Movies Hosts Debbie and Janna on Instagram
Meet the Production Team - Dee Daniels Media
 
FIND A FAVORITE SPOT IN THIS EPISODE:
00:00 Meet the Hosts
00:14 Movie Setup and Premise
01:19 Murderous Aunts and Brothers
02:08 Post Movie Reactions
02:27 Getting Lost in the Opening
04:13 Cary Grant Comedy Style
05:11 The Aunts and the Bodies
07:15 Boris Karloff Connection
08:07 Priscilla Lane and Romance
09:57 Ending and Favorite Scenes
11:51 Martini Shot and Wrap Up

Welcome to Let’s Get Lost in Classic Movies

Get to know Debbie and Janna, a mother-daughter duo sharing their love of classic movies. In this trailer, they introduce the show, discuss what makes classic films timeless, and explain how they’ll guide you through movies, culture, and unforgettable stories. Subscribe to join them on a journey through cinema’s golden moments — and get ready to get lost in the movies!